DIGITAL PHOTOGRAPHY AND IMAGING - WEEK 5

Choong Yee Leng || 0381980

Digital Photography and Imaging || Bachelor Degree in Creative Media || Taylor’s University 


Lecture: 

What is Double Exposure Photography?

  • Merging multiple images to create surreal, emotional, or humorous visuals.

  • Commonly uses silhouettes.

  • Can be created using in-camera techniques or software like Adobe Photoshop.


Creative Techniques in Double Exposure:

  1. Tilt-Shift Effect

    • Use blur creatively to highlight or soften parts of an image.

    • Access via Photoshop: Filter > Blur Gallery > Tilt-Shift.

  2. Fake Reflections

    • Add reflection-like textures (e.g., raindrops, bokeh) from other images.

  3. Simple Portrait + Textured Detail

    • Combine plain portraits with complex textures for balanced visuals.

  4. Black & White Conversion

    • Enhances emotion and depth, mimicking film photography aesthetics.

  5. Silhouette-Only Compositions

    • Focus entirely on silhouettes for unique and creative results.

  6. Random Image Pairing

    • Pair unrelated photos to discover unexpected stories or effects.

  7. Elevate Ordinary Objects

    • Transform mundane subjects into fascinating visuals (e.g., a building into a starry sky).

  8. Use of Shadows

    • Shadows can function like silhouettes to create compelling outlines.


Photoshop: Blend Modes

  • Blend modes affect how layers interact.

  • Often used experimentally to find the best effect.

  • “Screen” Mode is useful for overlaying tricky subjects like fire, smoke, or glass:

    1. Place the effect layer (e.g., fire) above the base image.

    2. Change its blend mode to Screen to integrate it seamlessly.


Tutorial :
We're introduced to double expose technique in Adobe Photoshop.

Practical:
Work followed tutorial:

Work Process:

Extra work:

Work Process:


Reflection:
I gained a lot during both the tutorial and practical sessions this week. By following the step-by-step guide for the double exposure exercise, I developed a deeper understanding of how to blend layers effectively. One of the most valuable skills I learned was using clipping masks, which proved to be especially useful in refining objects. This technique allowed me to non-destructively edit—erasing and recovering elements easily whenever needed. Mastering this skill not only improved the quality of my double exposure work but also became a helpful tool in other design exercises throughout the course.





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